Stop everything. Have you heard about the P Diddy scandal, the P Diddy lawsuit, Puff Daddy, whatever you're calling him? And if you haven't heard about it, why? Because the media in Hollywood are clearly trying to bury it. The Diddy lawsuit is absolutely crazy. Full stop.

What if I told you guys that it is about to get even crazier? That there is directly a link to Michael Jackson's death? Candace Owens has recently sparked a heated discussion with her bold claims linking Diddy's latest legal battle to the mysterious death of Michael Jackson.

During a recent episode of her podcast, Owens delved into the details of Diddy's legal troubles and expressed concern over what she perceives as troubling silence from the media. People were saying that Michael Jackson was killed. I actually know a lot of people that are in the industry who believe that Michael Jackson was killed and I just thought it just sounds too whacked out to believe that there is allegedly some sort of a blackmail ring that is operating throughout Hollywood and that artists that are producing music are actually being controlled via being induced into drugs.

In her outspoken manner, Owens raised eyebrows on social media, questioning the media's lack of coverage on Diddy's lawsuit compared to the infamous Jeffrey Epstein case. She suggested a potentially dark underbelly, insinuating that influential figures in Hollywood and politics might be facing blackmail to maintain a disturbing silence.

She went further to connect dots, pointing out that the individual allegedly involved in covering up Diddy's son's role in a shooting incident was also Michael Jackson's former head of security, present during the pop icon's untimely death. The conservative pundit hinted at extreme measures, even murder, being taken to protect the interests of those involved.

During her podcast, Owens highlighted five key takeaways from Diddy's lawsuit, arguing that its implications could surpass those of the notorious Jeffrey Epstein case. She took her concerns to social media, emphasizing the media's near silence on Diddy's legal battles and suggesting a conspiracy involving politicians and celebrities facing blackmail.

Doubling down on her assertions in a YouTube caption, Owens suggested a hidden agenda in Hollywood and the media to bury the lawsuits, protecting high-profile individuals from scrutiny. While her claims have sparked both debate and skepticism, they shed light on the intricate power dynamics within the entertainment industry and the potential consequences of legal scandals involving influential figures.

The news of Michael Jackson's death at the age of 50 in June 2009 left fans worldwide in shock. But there's a segment of enthusiasts who wonder if it was all an elaborate performance. Enter the realm of Jackson conspiracy theorists, often referred to as believers, who have consistently claimed that the iconic singer faked his own death and is still alive.

In a curious twist in early 2017, investment banker David Dunn testified in the US Tax Court in Los Angeles, suggesting that Jackson was teetering on the edge of bankruptcy before his death. This added fuel to the speculation that the King of Pop may have orchestrated his demise as a way to escape financial woes by assuming a new identity.

Adding another layer to the mystery, in 2017, Jackson's daughter Paris shared her conviction with Rolling Stone magazine that her father had been murdered. According to her, all arrows point to that. It sounds like a total conspiracy theory, but all real fans and everybody in the family knows it. It was a setup.

This revelation raised questions among online conspiracy theorists, some of whom pondered whether she might be alluding to groups like The Illuminati. In 2012, five of the iconic singer's siblings, Janet, Reby, Randy, Tito, and Germaine, made headlines by signing a letter addressed to the executives of Jackson's estate, accusing them of fraud, forgery, exploitation, and abuse.

The crux of their argument was that Michael Jackson wasn't in Los Angeles on the day his will was supposedly signed, dated July 7th, 2002, challenging the authenticity of the document. These accusations, they noted, were made by certain family members intentionally left out of Jackson's will.

Delving further into the web of conspiracy theories, LaToya Jackson, Michael's sister, has been vocal about her belief in a plot to kill her brother. According to LaToya, Michael confided in her about the ominous feeling of impending danger, stating, "LaToya, I'm going to be murdered for my music publishing catalog and my estate."

Adding another layer to the intrigue, last year, The Sun reported the existence of a note allegedly written by Jackson just weeks before his death. The note ominously conveyed, "They are trying to murder me," with Jackson expressing fear for his life and asserting that the system wants to kill me for my catalog.

These claims have sparked debates and fueled speculation around the circumstances surrounding Michael Jackson's demise and the mysteries that linger in the aftermath. The culprit, a lethal cocktail of drugs found in his system, including the anesthetic propofol. This substance had been administered by Jackson's personal doctor, Conrad Murray, for two months to address the pop icon's sleep troubles.

Murray later faced the music in court and, in 2011, was deemed guilty of involuntary manslaughter, earning a two-year jail sentence. Before the trial, Murray's lawyer floated the idea that Jackson took drastic measures due to financial woes, but the judge shut down any attempts to delve into Jackson's financial records.

Howard Weitzman, the lawyer representing Jackson's estate, raised an eyebrow at the notion of Michael committing suicide, calling it an unsellable theory. Meanwhile, a law enforcement official spilled the beans to ABC News, revealing that the star was deeply entangled with the painkiller OxyContin, receiving daily injections of the medication along with Demerol.

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It's a somber tale of a musical legend ensnared by a web of substances that ultimately led to his untimely demise. In recent months, Shawn Diddy Combs, the influential hip-hop billionaire, has faced a series of civil suits accusing him of sexual misconduct, including rape and assault.

Once a symbol of affluence, Combs played a pivotal role in commercializing rap, turning his stake in the Bad Boy Entertainment record label into an empire spanning fashion, media, liquor, and more. In a clip from his 2017 documentary, "Can't Stop, Won't Stop," Combs asserted, "Whatever I want, I have to get," showcasing his determined mindset.

However, the recent accusations have cast a different light on his assertiveness, suggesting a potentially aggressive and domineering disposition. The lawsuits filed over the past few months present a challenging narrative that contrasts sharply with the image of the ultimate hustler mogul.

A timeline spanning three decades juxtaposes key moments in Combs' career with allegations from the civil suits, revealing not only a troubling history of alleged violent behavior but also the influence of power and celebrity in shielding him.

In 1990, Combs began his music industry career as an intern at Uptown Records under executive Andre Harrell. The timeline takes a somber turn in 1991 as a lawsuit from November 2023 alleges that Combs, along with R&B singer Aaron Hall, sexually assaulted an unnamed victim and a friend after a music industry event.

Shockingly, the suit claims they later physically assaulted her when confronted. In 1991, another November 2023 lawsuit alleges that Combs drugged, sexually assaulted, and videotaped 19-year-old Joy Dickerson after a date

Spoiler alert: The singer, 31, appears amid the trippiest sequences in the Ethan Coen-directed thriller-comedy.

In an interview with The Wrap, Coen and co-writer Tricia Cooke detailed why Cyrus was cast as raunchy hippie Tiffany Plaster Caster, a character based on a real-life creator of celebrity penis plaster casts.

“I was telling [Cyrus] about Cynthia Plaster Caster, ‘I don’t know if you know, your character’s based on Cynthia,’

” Cooke told the outlet. “She’s like, ‘I thought that’s why you called me.’ Big fondness for Cynthia Plaster Caster.”

“Miley loves her d—s,” joked Coen. “That’s her thing too. She’s into that, both the retro hippie thing and the whole phallus-molding thing.”

Related: Miley Cyrus Fangirls Over Mariah Carey as She Wins First-Ever Grammy: ‘This MC Is Gonna Stand by This MC’

Miley Cyrus at the Grammy Awards Feb. 4

Cynthia Albritton, known as Cynthia Plaster Caster, died in 2022 at age 74. The artist’s series of works featured casts of famous figures’ body parts, starting with Jimi Hendrix, according to Deadline.

Per Variety, Albritton also produced casts of the penises of MC5’s Wayne Kramer, Pete Shelley of the Buzzcocks, and Jello Biafra of the Dead Kennedys, in addition to the breasts of Laetitia Sadier of Stereolab and Peaches, and Karen O of the Yeah Yeah Yeahs.

Of filming the Hannah Montana alum’s psychedelically infused scenes opposite Matt Damon, Cooke recalled that Cyrus was “just game for anything, whatever you ask her to do.”

“We wanted to do this low shot that was kind of pushing into her and we’re like, ‘Do you mind if we go down here?’ She’s like, ‘I’ve done much worse.’ ”

Coen added, “She is so much fun… At 29 years old, she’s — I mean it in the best sense — like an old show-business broad. ‘Yeah, whatever, honey. All you need.’ ”

Wilson Webb/Focus Features

(Left-right:) Ethan Coen, Geraldine Viswanathan and Margaret Qualley on the set of “Drive-Away Dolls”

Wilson Webb/Focus Features

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According to Cooke, Cyrus is so “into her phalluses,” she allegedly “has a whole room devoted to phalluses.”

In 2019, the Grammy winner claimed that she was “kicked off” the 2012 family-friendly film Hotel Transylvania after a photo of her with a penis cake for then-boyfriend Liam Hemsworth surfaced.

Drive-Away Dolls stars Qualley and Viswanathan as a pair of lesbian friends trekking south to Florida while toting sensitive materials, including what turns out to be dildos from Tiffany’s plaster casts, in their drive-away vehicle.

In an interview with Collider last June, Cooke called the film “a queer kind of caper that doesn’t take itself too seriously, and that’s very lighthearted and fun and kind of outrageous at times… all of those things.” Coen added: “And a little s3x.”