Mary opens up about her life and career, recalling her dark early days when writing music was her only escape. She, like Usher, reflects on the challenging times during the Making the Band days with Diddy, emphasizing that being associated with him was detrimental. Usher previously mentioned that being with Diddy was the worst time of his life.

Mary J. Blige acknowledges the hardships she faced, including hard drugs, bad business deals, sex, sleeping around, and wild parties. These revelations seem to confirm the mysteries surrounding Mary J. Blige that people have been trying to piece together for years. After various documentaries and events in her life, it appears that Diddy was the source of much of the chaos.

In an interview, Danny Boy sheds light on the atmosphere surrounding Suge Knight, describing him as a powerful figure who attracted many. He mentions encounters with Mary J. Blige, Misa, and other women connected to Diddy and the music industry. Danny Boy hints at a group of women associated with Diddy who seemed willing to engage in certain activities, suggesting a connection between these women and the darker aspects of the industry.

The narrative expands to include Diddy’s influence on women in his circle, insinuating that they had to be willing to partake in specific behaviors to advance in the industry. Mary J. Blige is mentioned alongside other women connected to Diddy, with references to their involvement with KC, Tupac, and Danny Boy himself.

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MARY J. BLIGE SAYS SHE USED TO BE ‘AFRAID’ TO LISTEN TO HER OWN MUSIC

Mary J. Blige has one of the smoothest voices in music. But for her, listening to her own songs hasn’t always been so easy.

On an episode of TODAY With Hoda and Jenna from Wednesdsay (March 8), the R&B/Soul icon revealed some surprising thoughts about her own music.

“I used to hate everything about me. The sound of my voice, the sound of my speaking voice. And I used to just be afraid to hear any music back,” she said.

Check out the clip below, which begins at about the seven minute mark.

Though Blige struggled to get over this self-loathing, she revealed that these bad feelings eventually went away.

She said: “We grow up thinking we couldn’t boast or brag or love on ourselves, and now I’m doing all that…I have so much fun with myself. I’m like, ‘Girl, you look so good. I’m so proud of you. Oh, that looks nice on you.’ And I’m by myself a lot, so I’m always like, ‘Oh Mary, I love that! Let’s wear this tonight. That’s gonna be hot!’”

Earlier this week, while promoting her Strength of a Woman Summit, Mary J. also stopped by CBS Mornings and made an exciting announcement about her love life.

Blige said that she manifested the love she deserves and has been relishing the good relationship she has after going through it with her ex-husband, Martin “Kendu” Isaacs.

“I am in love. I believe I deserve a good relationship,” she said. “With myself. With a partner. When you believe it, it comes to you.

“I’m able to be my own company because I believe in love for myself, I’m not going to give up on love. I’m not going to let a bad relationship or a bad marriage stop me from having a good life and having romance and getting the hugs that I want and the desire and kisses.”

The “Family Affair” singer has been very vocal about her struggles in the music industry.

Last year, the superstar singer opened up about her journey in her cover story for Glamour. The magazine dubbed the Yonkers native ‘Woman of the Year,’ and while diving into her success, Mary had to also reflect on the ride it took to get there.

“This is not an overnight success,” she said. “This is not an easy thing, this new me, this new Mary. This is hard work. When you’re happy and you’re strong, and you’ve been…[as] miserable as I’ve been in life and went through as much hell, it’s easy to revert back to the residue. It’s easy to revert back to the past because that’s what you knew. Because you know the pain of the past will always try to pull you back.”

Back in the day, Wesley Snipes was a top dog in the industry, raking in almost ten million dollars for a movie. However, somewhere along the way, things went seriously wrong for the actor. Directors didn’t want to cast him, studios didn’t return his calls and co-stars had nothing nice to say about him in interviews.

From all angles, it looks like Wesley was a bag egg to begin with. However, this is where Snipes turns the tables. According to him, the downfall of his career wasn’t a him problem but a them problem. In his words, Snipes was given the boot simply because he stepped on the wrong toes. And guess what? His grievances are shared by many other black actors in the industry. Just what’s the scoop here? Was Wesley Snipes really blacklisted by Hollywood? And if so, why? Let’s find out.

The notion that my situation was labeled as the biggest trial in history had me questioning my significance. There were rumors circulating during the filming of Blade Trinity, the third installment of the Blade series, that Wesley Snipes had a physical altercation with the director. However, I didn’t feel that was where our focus should be. I didn’t want to contribute to the negative portrayal of Black individuals as drug dealers and degenerates. I felt it was important not to perpetuate harmful stereotypes.

Wesley Snipes was once a prominent figure in the industry, earning nearly $10 million per movie. However, his career took a turn for the worse, with directors and studios avoiding him, and co-stars speaking negatively about him. Snipes attributes this downfall to stepping on the wrong toes, rather than any inherent flaws on his part. He believes he was blacklisted because he challenged certain individuals in the industry.

In 1991, Snipes encountered trouble with the law when he was wrongfully detained by police in Los Angeles. He was accused of driving a stolen vehicle, which was actually a leased car he had permission to use. Despite the incident being resolved, it left a lasting impact on Snipes, who felt racially discriminated against.

In 2005, Snipes sued New Line Cinema and director David S. Goyer over issues during the filming of Blade Trinity. He claimed he was forced to work in unbearable conditions, with a lack of approval over the script and racist remarks made by Goyer. Snipes felt that the studio was attempting to diminish his role in the Blade franchise. However, the studio painted Snipes as difficult to work with, tarnishing his reputation further.

Despite these challenges, Snipes remains resilient. He acknowledges the struggles faced by African-Americans in Hollywood, where their voices are often silenced or discredited. Snipes refuses to let these setbacks define him, emphasizing the importance of standing up for oneself in the face of adversity.

The title that significantly advanced Wesley’s career in the past was his portrayal of the iconic character Nino Brown, a New York drug kingpin, in the film “New Jack City.” Given the immense success of the original film, one might expect Wesley to eagerly sign on for a reboot. However, to the surprise of fans, Wesley distanced himself from the project. In an interview with Shadow and Act’s Brook Obie while promoting his film “Dolemite Is My Name,” Snipes made it clear that he wanted no involvement in the reboot, stating, “I’m not associated with it. I have nothing to do with it at all.”

He elaborated on his decision, expressing concerns about perpetuating negative stereotypes of black actors in the film industry. Wesley believed that recreating the drug culture depicted in the original film would contribute to these harmful stereotypes, and he did not want to be a part of it. While his refusal to participate may have clashed with the desires of studio executives pushing for the reboot, Wesley’s stance resonated with others who have criticized the portrayal of black characters in Hollywood.

Some have accused Wesley of inconsistency, pointing out instances where he seemed to perpetuate negative stereotypes himself. For example, in a 1997 interview with Ebony magazine, Wesley made controversial remarks about dating and relationships within the black community, sparking backlash from black women.

Despite facing criticism and obstacles, Wesley remains steadfast in his convictions. His refusal to compromise his principles, even at the cost of his career, has earned him both admiration and criticism. Whether viewed as a victim of industry biases or as someone who dug his own career grave, Wesley’s journey continues to spark discussions about representation and integrity in Hollywood.